“Walpurgisnacht” by Gustav Meyrink

"Comic, fantastic and grotesque, Walpurgisnacht uses Prague as the setting for a clash between German officialdom immured in the ancient castle above the Moldau, and a Czech revolution seething in the city below. History, myth and political reality merge in an apocalyptic climax as the rebels, urged on by a drum covered in human skin, storm the castle to crown a poor violinist "Emperor of the World" in St. Vitus' Cathedral. Written in 1917, Walpurgisnacht continues the message of The Green Face, of a decadent society on the brink of collapse and of a Europe past salvation. In it we see Meyrink's exceptional narrative powers at their height."...>>

“The Green Face” by Gustav Meyrink

"Of the volumes available to the English public, The Green Face, first published in 1916, is the most enjoyable. In an Amsterdam that very much resembles the Prague of The Golem, a stranger, Hauberisser, enters by chance a magician's shop. The name on the shop, he believes, is Chidher Green; inside, among several strange customers, he hears an old man, who says his name is Green, explain that, like the Wandering Jew, he has been on earth 'ever since the moon has been circling the heaven.' When Hauberisser catches sight of the old man's face, it makes him sick with horror. The face haunts him. The rest of the novel chronicles Hauberisser's quest for...>>

“The Golem” by Gustav Meyrink

"First published in serial form as Der Golem in the periodical Die weissen Blätter in 1913–14, The Golem is a haunting Gothic tale of stolen identity and persecution, set in a strange underworld peopled by fantastical characters. The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist. Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares...>>

“The Opal (and other stories)” by Gustav Meyrink

"These tales — sci-fi, ghost stories, gothic fables, oriental allegories — were written in the first decade of the century and are now translated for the first time. They make a magnificent introduction to the bizarre genius of Meyrink, which combined the sharp Bohemian scepticism of his contemporary Kafka with the mordant humour and outreach of Swift. Meyrink's short stories epitomised the non-plus-ultra of all modern writing. Their magnificent colour, their spine-chilling and bizarre inventiveness, their aggression, their succinctness of style, their overwhelming originality of ideas, which is so evident in every sentence and phrase that there seems to be no lacunae; all this captivates me, and seems to me to provide the proper antidote...>>