“You Can Have It All” by Arnold M. Patent

"The game of life most of us are playing is not the only game even though we have convinced ourselves it is. In this game each of the players is separate, independent and usually competing in a hostile and unforgiving world. We often feel like victims. This book describes another way of playing the game—one based on Universal Principles—that is natural to us and awaiting our remembrance. The format of the book is a re-enactment of a typical weekend workshop during which the Principles are described and practiced. We are not separate entities. We are all part of a singular experience: One that is loving, abundant, joyful and mutually supportive. The Universal Principles and...>>

“The Satanism Scare” edited by James T. Richardson, Joel Best and David G. Bromley

"Although there is growing concern over Satanism as a threat to American life, the topic has received surprisingly little serious attention. Recognizing this, the editors of this volume have selected papers from a wide variety of disciplines, broadly covering contemporary aspects of Satanism from the vantage points of studies in folklore, cults, religion, deviance, rock music, rumor, and the mass media. All contributors are skeptical of claims that a large, powerful satanic conspiracy can be substantiated. Their research focuses instead on claims about Satanism and on the question of whose interests are served by such claims. Several papers consider the impact of anti-Satanism campaigns on public opinion, law enforcement and civil litigation, child protection services,...>>

“Satanic Panic: The Creation of a Contemporary Legend” by Jeffrey S. Victor

"Again and again we are told - by journalists, police, and fundamentalists - that there exists a secret network of criminal fanatics, worshippers of Satan, who are responsible for kidnapping, human sacrifice, sexual abuse and torture of children, drug-dealing, mutilation of animals, desecration of churches and cemeteries, pornography, heavy metal lyrics, and cannibalism. This popular tale is almost entirely without foundation, but the legend continues to gather momentum, in the teeth of evidence and good sense. Networks of 'child advocates', credulous or self-serving social workers, instant-expert police officers, and unscrupulous ministers of religion help to spread the panic, along with fabricated survivors' memoirs passed off as true accounts, and irresponsible broadcast 'investigations'. A classic witch-hunt,...>>

“Penumbra No. 2 (2021): A Journal of Weird Fiction and Criticism” edited by S.T. Joshi

"The second issue of Penumbra is highlighted by Lost for Words, a new story by Ramsey Campbell, the leading writer of weird and supernatural literature of our time. In addition, veteran writers Darrell Schweitzer and Mark Samuels contribute original tales. Among younger writers, Curtis M. Lawson presents a science fiction/horror hybrid; Katherine Kerestman pens a skillful tale of vampirism; Scott J. Couturier, Geoffrey Reiter, Scott Bradfield, and Shawn Phelps offer glimpses of terror and strangeness; and Manuel Arenas contributes a moving prose poem. The issue also includes, as its classic reprint, Algernon Blackwood’s first published weird tale. Among the articles in this issue, Martin Wangsgaard Jürgensen examines religiosity in the early tales of Lord Dunsany;...>>

“Penumbra No. 1 (2020): A Journal of Weird Fiction and Criticism” edited by S.T. Joshi

"Penumbra is a new annual journal that seeks to present cutting-edge articles on weird fiction as well as original weird fiction by some of the most talented contemporary writers in the field. This first issue contains scintillating new fiction by such veterans as Mark Samuels and Michael Aronovitz, as well as by new and up-and-coming writers such as Curtis M. Lawson, Manuel Arenas, Belicia Rhea, and others. As a "classic reprint," we present a rare story by Gertrude Atherton. Among the works of criticism and scholarship, Matt Cardin studies a story by Thomas Ligotti; John Tibbetts supplies a detailed overview of the ghost stories of Edith Wharton; James Goho analyzes the work of Simon Strantzas;...>>