Magick Matters

“The Scent of Lemon & Rosemary: Working Domestic Magick with Hestia” by Raechel Henderson

"Tending the Hearth and Home with the Magickal Energy of Hestia The Scent of Lemon & Rosemary is a fabulous book of magickal spells, crafts, and recipes for each room of your house. Based on the powerful energy and mythos of the goddess Hestia, these magickal activities and workings can be practiced by anyone, regardless of spiritual orientation. Magick themes and techniques abound―love and transformation in the kitchen, communication and friendship in the living room, purification and health in the bathroom, prosperity and sleep in the bedroom, and protection at the threshold. You will discover recipes for food magick as well as tips for creating your own green cleaning supplies. Author Raechel Henderson also includes hands-on...>>

“Abhichara: Tantric Magic and Mysticism” by Adinath Jayadhar and Siddheshwari Jayadhar

"Abhichara is the Tantric magic of India focused both on the adept's deification and the achievement of their other life goals, including material goals. Books on Abhichara translated into European languages are a great bibliographical rarity. This unique book Abhichara: Tantric Magic and Mysticism gives a general overview of Abhichara, and describes the pantheon of deities of the Abhichara mandala and the mantic system of Shri Matrika. One of the parts of this book is devoted to the basics of practical metaphysics. The book also outlines the principles of archiving information and energy in mantras and spells, and the principles of releasing energy and information from mantras and spells. Studying this book will help...>>

“An Epicure in the Terrible: A Centennial Anthology of Essays in Honor of H. P. Lovecraft” edited by David E. Schultz and S.T. Joshi (2015 revised ed)

"When An Epicure in the Terrible first appeared in 1991, commemorating the centennial of H. P. Lovecraft’s birth, it was hailed as a significant contribution to Lovecraft studies. Its thirteen original essays, along with a lengthy biocritical introduction by S. T. Joshi, contained penetrating work by leading authorities in the field. Among them were Kenneth W. Faig, Jr.’s pioneering study of Lovecraft’s parents; Jason C. Eckhardt’s analysis of Lovecraft’s heritage as a New England Yankee; and Donald R. Burleson’s treatment of the key theme of “touching the glass,” epitomized by The Outsider. Other essays in the book deal with such topics as the theme of isolation in Lovecraft’s fiction (Stefan Dziemianowicz); Lovecraft’s cosmic imagery (Steven...>>

“Transplantation Gothic: Tissue transfer in literature, film, and medicine” by Sara Wasson

"Transplantation Gothic is a shadow cultural history of transplantation, as mediated through medical writing, science fiction, life writing and visual arts in a Gothic mode, from the nineteenth-century to the present. The works explore the experience of donor/suppliers, recipients and practitioners, and simultaneously express transfer-related suffering and are complicit in its erasure. Examining texts from Europe, North America and India, the book resists exoticising predatorial tissue economies and considers fantasies of harvest as both product and symbol of structural ruination under neoliberal capitalism. In their efforts to articulate bioengineered hybridity, these works are not only anxious but speculative. The book will be of interest to academics and students researching Gothic studies, science fiction, critical...>>

“Painting the Dark Side: Art and the Gothic Imagination in Nineteenth-Century America” by Sarah Burns

"Voices from the dark, or "gothic," side of American life are well known through the work of writers such as Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville. But who were the Poes of American art? Until now, art historians have for the most part seen the gothic as the province of misfits and oddballs who rejected the bright landscapes and cheerful scenes of everyday life depicted by Hudson River School and other mainstream painters. In Painting the Dark Side, Sarah Burns counters this view, arguing that far from being marginal, the gothic was a pervasive and potent visual language used by recognized masters and eccentric outsiders alike to express the darker facets of...>>